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Byzantine 3 Poster

Byzantine 3 Poster

Cena regularna 26,00 zł
Cena regularna Cena promocyjna 26,00 zł
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Ilość

Byzantine 3 vintage pattern (1899) from Grammar of Ornament book by Owen Jones

Bring timeless elegance to your home with this exquisite poster, showcasing Owen Jones’ mastery of color and geometry—each detail reflects his passion for reviving historic art, making it a striking conversation piece for any sophisticated interior.

Our posters are printed on thick (230gsm) acid-free matte art paper, using a long-lasting UV-resistant ink. We also offer the option of printing on textured canvas (300gsm), more flexible and resistant. Our frames are made of either light and resistant aluminium, or solid wood. More details in our FAQ

Ref : ORI93

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  • 'Bardzo ładne plakaty. Jakość jest świetna i dostaliśmy je naprawdę szybko!'

  • 'Sklep, do którego naprawdę warto zajrzeć. Ogromny wybór plakatów. Spędziliśmy tam ponad godzinę!'

  • 'Świetne miejsce na prezent. Ceny są naprawdę dobre, a na miejscu mogą też wszystko oprawić i zapakować.'

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About the Artist

Owen Jones was a pioneering British designer and theorist whose research into global decorative arts profoundly influenced nineteenth-century design. Renowned for his seminal work The Grammar of Ornament, Jones advocated for the study of historical motifs as a foundation for modern creativity, emphasizing the importance of structure, harmony, and color theory in decoration.

Jones traveled extensively, documenting patterns from diverse cultures and eras, and sought to educate both artists and manufacturers. His approach encouraged adapting historical principles to contemporary needs, rather than merely replicating the past, shaping the direction of Victorian design reform.

The Artwork

Byzantine 3 is part of Jones’s systematic exploration of Byzantine ornament, created to serve as a resource for designers during a period of industrial expansion and renewed interest in historical styles. In the late Victorian era, such pattern plates provided accessible references for those working in textiles, ceramics, and architecture, helping to standardize and elevate decorative arts.

This artwork illustrates how ornamental systems could be codified and taught, reflecting Jones’s belief in the educational power of design. It stands as a bridge between scholarly research and practical application, making it a fitting companion to other classic art and abstract works in a thoughtfully curated collection.

Style & Characteristics

The print features a meticulously arranged field of geometric motifs, with interlocking curves and repeating forms that evoke the architectural spirit of Byzantine decoration. The overall effect is one of disciplined order, with symmetry and repetition establishing a sense of visual balance and intellectual clarity.

The color palette is bold yet controlled, dominated by deep green, vivid red, yellow, black, and white, which together enhance the crispness of the design. Fine linework and precise detailing invite close inspection, while the overall structure maintains a striking presence from afar, embodying both historical richness and modern graphic appeal.

In Interior Design

This poster lends a sense of structure and sophistication to living rooms, studies, or entryways, where its rhythmic pattern can anchor the space. It harmonizes with mid-century modern furnishings, minimalist interiors, or eclectic mixes that blend antique and contemporary elements.

To style, consider echoing a single hue from the print—such as a deep green cushion, a red vase, or brass accents—while keeping walls neutral. It also pairs beautifully with other green tone prints for a cohesive, design-forward interior scheme.